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What is Japanese cinema? : (Record no. 24815)

MARC details
000 -LEADER
fixed length control field 03213cam a22004098i 4500
001 - CONTROL NUMBER
control field 20774061
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20201109150423.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 181126s2019 nyu b 001 0 eng c
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2018054005
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780231191623
Qualifying information (cloth :
-- alk. paper)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780231191630
Qualifying information (paperback :
-- alk. paper)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
Canceled/invalid ISBN 9780231549486
Qualifying information (e-book)
040 ## - CATALOGING SOURCE
Original cataloging agency LBSOR/DLC
Language of cataloging eng
Description conventions rda
Transcribing agency LBSOR
Modifying agency DLC
041 1# - LANGUAGE CODE
Language code of text/sound track or separate title eng
Language code of original jpn
042 ## - AUTHENTICATION CODE
Authentication code pcc
043 ## - GEOGRAPHIC AREA CODE
Geographic area code a-ja---
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number PN1993.5.J3
Item number N542513 2019
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 791.430952
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Yomota, Inuhiko,
Dates associated with a name 1953-
Relator term author.
240 10 - UNIFORM TITLE
Uniform title Nihon eigashi 100-nen.
Language of a work English
245 10 - TITLE STATEMENT
Title What is Japanese cinema? :
Remainder of title a history /
Statement of responsibility, etc. Yomota Inuhiko ; translated by Philip Kaffen.
263 ## - PROJECTED PUBLICATION DATE
Projected publication date 1905
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture New York :
Name of producer, publisher, distributor, manufacturer Columbia University Press,
Date of production, publication, distribution, manufacture, or copyright notice [2019]
300 ## - PHYSICAL DESCRIPTION
Extent pages cm
336 ## - CONTENT TYPE
Content type term text
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type term unmediated
Media type code n
Source rdamedia
338 ## - CARRIER TYPE
Carrier type term volume
Carrier type code nc
Source rdacarrier
500 ## - GENERAL NOTE
General note "Originally published in the Japanese as Nihon eigash 110 nen (Tokyo: Shueisha, 2014)."
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Motion pictures: 1896-1918 -- The rise of silent film: 1917-1930 -- The first golden age: 1927-1940 -- Japanese cinema during wartime -- Film production in the colonies and occupied lands -- Japanese cinema under American occupation: 1945-1952 -- Toward a second golden age: 1952-1960 -- Upheaval amidst steady decline: 1961-1970 -- Decline and torpor: 1971-1980 -- The collapse of the studio system: 1981-1990 -- The indies start to flourish: 1991-2000 -- Within a production bubble: 2001-2011.
520 ## - SUMMARY, ETC.
Summary, etc. "What might Godzilla and Kurosawa have in common? What, if anything, links Ozu's sparse portraits of domestic life and the colorful worlds of anime? In this book, Yomota Inuhiko provides a concise history of Japanese film that shows how cinema tells the story of Japan's modern age. Discussing popular works alongside auteurist masterpieces, Inuhiko considers films in light of both Japanese cultural particularities and cinema as a worldwide art form. He covers the history of Japanese film from the silent era to the rise of J-Horror in historical, technological, and global contexts. Inuhiko shows how Japanese film has been shaped by traditional art forms such as kabuki theater as well as foreign influences spanning Hollywood and Italian neorealism. Along the way, he considers the first golden age of Japanese film; colonial filmmaking in Korea, Manchuria, and Taiwan; the impact of World War II and the U.S. occupation; the Japanese film industry's rise to international prominence during the 1950s and 1960s; and the challenges and technological shifts of recent decades. Alongside a larger thematic discussion of what defines and characterizes Japanese film, Inuhiko provides insightful readings of canonical directors including Kurosawa, Ozu, Suzuki, and Miyazaki as well as genre movies, documentaries, indie film, and pornography"--
Assigning source Provided by publisher.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Motion pictures
Geographic subdivision Japan
General subdivision History.
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Kaffen, Phil,
Relator term translator.
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN)
a 7
b cbc
c orignew
d 1
e ecip
f 20
g y-gencatlg
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Library of Congress Classification
Koha item type Books
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Date acquired Source of acquisition Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Library of Congress Classification     Carlos P. Romulo Library Carlos P. Romulo Library 02/21/2020 DONATION   PN 1993.5 J3 N54 2019 G03442 07/09/2024 02/21/2020 Books