000			03213cam a22004098i 4500
999			_c24815 _d24815
001			20774061
005			20201109150423.0
008			181126s2019 nyu b 001 0 eng c
010			_a 2018054005
020			_a9780231191623 _q(cloth : _qalk. paper)
020			_a9780231191630 _q(paperback : _qalk. paper)
020			_z9780231549486 _q(e-book)
040			_aLBSOR/DLC _beng _erda _cLBSOR _dDLC
041	1		_aeng _hjpn
042			_apcc
043			_aa-ja---
050	0	0	_aPN1993.5.J3 _bN542513 2019
082	0	0	_a791.430952 _223
100	1		_aYomota, Inuhiko, _d1953- _eauthor.
240	1	0	_aNihon eigashi 100-nen. _lEnglish
245	1	0	_aWhat is Japanese cinema? : _ba history / _cYomota Inuhiko ; translated by Philip Kaffen.
263			_a1905
264		1	_aNew York : _bColumbia University Press, _c[2019]
300			_apages cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_a"Originally published in the Japanese as Nihon eigash 110 nen (Tokyo: Shueisha, 2014)."
504			_aIncludes bibliographical references and index.
505	0		_aMotion pictures: 1896-1918 -- The rise of silent film: 1917-1930 -- The first golden age: 1927-1940 -- Japanese cinema during wartime -- Film production in the colonies and occupied lands -- Japanese cinema under American occupation: 1945-1952 -- Toward a second golden age: 1952-1960 -- Upheaval amidst steady decline: 1961-1970 -- Decline and torpor: 1971-1980 -- The collapse of the studio system: 1981-1990 -- The indies start to flourish: 1991-2000 -- Within a production bubble: 2001-2011.
520			_a"What might Godzilla and Kurosawa have in common? What, if anything, links Ozu's sparse portraits of domestic life and the colorful worlds of anime? In this book, Yomota Inuhiko provides a concise history of Japanese film that shows how cinema tells the story of Japan's modern age. Discussing popular works alongside auteurist masterpieces, Inuhiko considers films in light of both Japanese cultural particularities and cinema as a worldwide art form. He covers the history of Japanese film from the silent era to the rise of J-Horror in historical, technological, and global contexts. Inuhiko shows how Japanese film has been shaped by traditional art forms such as kabuki theater as well as foreign influences spanning Hollywood and Italian neorealism. Along the way, he considers the first golden age of Japanese film; colonial filmmaking in Korea, Manchuria, and Taiwan; the impact of World War II and the U.S. occupation; the Japanese film industry's rise to international prominence during the 1950s and 1960s; and the challenges and technological shifts of recent decades. Alongside a larger thematic discussion of what defines and characterizes Japanese film, Inuhiko provides insightful readings of canonical directors including Kurosawa, Ozu, Suzuki, and Miyazaki as well as genre movies, documentaries, indie film, and pornography"-- _cProvided by publisher.
650		0	_aMotion pictures _zJapan _xHistory.
700	1		_aKaffen, Phil, _etranslator.
906			_a7 _bcbc _corignew _d1 _eecip _f20 _gy-gencatlg
942			_2lcc _cBK