000 02403cam a2200457 a 4500
001 16800433
005 20210826114250.0
008 110527s2011 ja a 001 0 eng d
010 _a 2011385768
020 _a9784924971318
020 _a4924971316
035 _a(OCoLC)ocn709955237
040 _aLWU
_cLWU
_dLWU
_dPAU
_dIXA
_dCUT
_dFTB
_dUAB
_dDLC
041 1 _aeng
_hjpn
042 _alccopycat
043 _aa-ja---
050 0 0 _aNK3634.A2
_bI8513 2011
100 1 _aIshikawa, Kyūyō,
_d1945-
240 1 0 _aSho : hisshoku no uchū o yomitoku.
_lEnglish
245 1 0 _aTaction :
_bthe drama of the chisel, stylus, brush in oriental calligraphy /
_cIshikawa Kyuyoh ; translated by Waku Miller.
246 1 5 _aTaction :
_bthe drama of the stylus in oriental calligraphy
250 _a1st English ed.
260 _aTokyo :
_bInternational House of Japan,
_c2011.
300 _axviii, 297 p. :
_bill. ;
_c24 cm.
490 1 _aLTCB international library selection =
_aChōgin kokusai raiburarī sōsho ;
_vno. 29
500 _aAt head of title: LTCB International Library Trust/International House of Japan.
500 _aTranslation of: Sho : hisshoku no uchū o yomitoku (Tokyo : Chuo Koron Shinsha, 2005).
500 _aIncludes index.
505 0 _aTaction : the wellspring of calligraphic expression -- Reciprocity : the yin and yang of calligraphy -- Verticality : calligraphy's spiritual orientation -- Melody : regularity, irregularity, and both -- Storytelling : plot development through taction -- Rhythm : meterless and stepped taction -- Communication : the modes of expression -- Brush dynamics : upright and sideways, jabbing and caressing, pushing and pulling -- Architecture : how characters come together -- Dance : movement seen and motion sensed -- Protoscripts : calligraphy and design -- Margin : calligraphy's larger context.
650 0 _aInscriptions, Chinese.
650 0 _aCalligraphy, Chinese
_xAppreciation
_zJapan.
650 0 _aCalligraphy, Japanese
_xHistory.
650 0 _aChinese language
_xWriting.
650 0 _aJapanese language
_xWriting.
710 2 _aLTCB International Library Trust.
710 2 _aKokusai Bunka Kaikan (Tokyo, Japan)
830 0 _aLTCB international library selection ;
_vno. 29.
906 _a7
_bcbc
_ccopycat
_d2
_encip
_f20
_gy-gencatlg
942 _2lcc
_cBK
999 _c28230
_d28230